Managing Home Media

As companies start to decide that sometimes it is better for them to remove access to media that you have “purchased” — I thought it would be good to share how I manage my media at home.

This is a living document that I plan to update with more details and better techniques, as I find them. Since I am managing the organization of some of this media right now, I’m writing this down to both remind myself of how I do it, and perhaps share info that might be useful for others.

Legal disclaimer:

As various jurisdictions pass laws that restrict “authorized” use of the media that you may own, some of the discussed techniques may fall afoul of those laws. There are certainly arguments for “fair use” in backing up media for personal use, but please research and decide for yourself whether these techniques are something legal in your area and/or that you are comfortable with.

Technical disclaimer:

This article will recommend techniques for backup, organization, and providing private access to your collections that may require more technical expertise than you may currently have, and/or require more detail than I am able to currently provide in this document. You are welcome to ask questions in the comments, but I may not be able to answer all of them. Hopefully this article will give you a starting point for researching these technical details yourself and/or encourage you to reach out to a close technical friend for assistance.

That all said, if you have questions, comments, or suggestions for improvements to this post, I’d be happy to hear them in the comments!

Movies & TV

Physical media

DVDs! Blu-rays! If you have it in your physical possession, they can’t take it away.

Of course, some terrible disaster could befall your house and your belongings… like happened to me some years ago. That made me go down a path of backing up the movies, and then backing up the movies and the bonus features, and then to wanting to back the discs up entirely, and perhaps even pay to back them up to the cloud in case something ever happened to my house and the backup server, and then maybe I also wanted some sort of a device to plug into the TV so that I could watch the backup as if it were the original disc, menus and all, and there are devices that will supposedly do this… but eventually I got to the point where this was all a lot of work, and maybe I don’t really need all of the bonus features available when I stream from my server when I’m on vacation or whatever, and maybe replacing the discs is a matter for my insurance policy.

So in the end, I settled for ripping the main feature, so I can watch it on-the-go, but the bonus features will require the disc itself.

[todo: how to store, organize, shelving ideas, etc.]

Backups of physical media

I have a rack-mount PC running windows that I use for most media backup purposes, mainly because it’s easier to take advantage of hardware acceleration on Windows, but also because it makes some media backup easier, since more tools are available on Windows.

I have both a Blu-ray drive and a DVD drive in this PC, and use MakeMKV to rip the discs and remove DRM. I can then use Handbrake to compress them a little further for easier streaming over WANs. I have presets that I use to take advantage of GPU acceleration in compressing the videos, and to make sure that audio and subtitle languages are included, so that I don’t end up with a useless file if I’m ripping a foreign film with no English track (or if it’s something where I would prefer the sub to the dub, which is most things for me).

Here are my Handbrake presets as JSON exports, which you can import from the Presets > Import from file menu selection.

The one called AppleTV SaS MKV v04 NVEnc is the one I use the most, as a default for movies. That one, however, presupposes that you have an Nvidia graphics card that will accelerate the compression. If you do not, either use the one without NVEnc (for “Nvidia Encoder”) at the end, or read up on the Handbrake documentation for whatever hardware encoder may be available to you. The other variants are:

  • DeInt which has the de-interlacing set up in a smart way that should remove it cleanly if it’s a standard film-to-video telecine pulldown (seen often on on DVDs, and even sometimes in old bonus features included on Blu-rays), and tries to do a smart deinterlace or field blend if it’s something weird
  • NOCROP which, as you might imagine, turns off attempting to auto-crop the image for letterboxed and pillar-boxed video — mainly because if there are mixed aspect ratios in, say, a bonus feature that mixes interviews and clips from the movie, Handbrake still does a terrible job of guessing the correct aspect ratio.


I use Plex Media Server to serve my movie files, so that I can watch them on the go.

Plex, for the most part, uses file names to determine metadata instead of embedded metadata, so I often find myself referencing these documentation pages for how to name the files:

Other members of your household can use the same account, and just be added as local users on your Plex server, or they can create their own free account at and then you can share the library with them.

Backups of cloud media

Most of the digital movie and TV purchases I’ve made have been from Apple’s ecosystem, and I had good luck using TuneFab M4V Converter with iTunes on Windows to remove DRM and download those videos to a format that I could back up locally. You can then add those videos to your Plex server just like the physical media rips mentioned above.

For Amazon Prime Video purchases, I had good luck with PlayOn Home, which also allows you to download from several other services. However, it seems like they’re moving toward a subscription-based cloud offering and away from the buy-once “Home” version, so YMMV.


Physical Media

CDs! uhhh… Tapes! Records! I feel like for me, CDs are the thing I’m most worried about. Tapes and records are definitely back-up-able, but as they’re not already digital, that’s a different beast. I am slowly getting back into using physical media more at home, but I sure do listen to a lot of music on my iPhone, and I want it available.

I still use iTunes to rip my CDs, and have it set to convert to Apple Lossless Audio Codec (ALAC) so it’s at best quality. I then add these files to Plex which does a pretty decent job of managing music.

CAVEAT: When I use Plex as a source for our Sonos system, there seems to be some sort of buffering problem playing back ALAC files, like the data rate is higher than it expects maybe? It’s a problem I haven’t fully resolved yet. However, if I use the Plex app on my phone to play, and then AirPlay to the Sonos speakers, it works totally fine, so at least there’s a workaround.

Plex has similar file naming restrictions for music as it does for video files, and renaming my files to meet their standards seemed to fix most of the weird half-album and duplicated album issues I had when I first moved over my iTunes library (which had done a better job of using the embedded metadata).

If you really want to digitize your analogue tapes and records (which I certainly have done), it’s just a matter of recording it to your computer with a decent USB audio interface, splitting the files to separate tracks, and then naming and sorting them all appropriately.


Physical Media

Melvil Decimal System. Trust me, I’ve tried LCC and it’s a pain in the ass too. WorldCat is also useful for looking up where a book is classified in MDS/DDS if it’s missing in LibraryThing.

No, I Meant Backing Up Physical Media

Yeah, I went down this misguided path too. Sure there are book scanners and it is indeed possible, and maybe even a good idea if you have a lot of rare stuff, but… I guess be sure that’s actually something that you want to have take over your life and isn’t just, say, a book you occasionally want to read that you could just buy an ebook for. Speaking of eBooks…

Digital Media

eBooks! ePub! Mobi! ePub is the way to go for future-proofing, I think.

For Kindle books, Calibre seems like the best solution here. Add the DeDRM plugin and plug in your Kindle to move the files over, and convert them. If you need to deal with KFX format, you may need the KFX Input plug-in, but as it appears that Kindle is moving to ePub instead, that may no longer be a concern. Calibre can also convert your book to ePub from another format. Easy peasy. Lemon squeezy.

NOTE: DeDRM was dropped by the original developer, and a new developer picked it up, so if you have an old version that’s not working, perhaps check the more recent link above and see if it works for you.

For iBooks / Apple Books ebooks, they are already in ePub format, but with DRM. I have seen some decent reviews for ViWizard DRM iBook Copy for Mac (what a mouthful!), but it only works on macOS 10.12 Sierra or earlier. Requiem seems to have died. I haven’t used either of them myself, and so this remains an unresolved problem for me. If you have a better suggestion, or some success to report, leave a comment?


Plex doesn’t have any facility for books at all, so if you want a nice web interface , I recommend Calibre-Web. Setting up that server is too complicated to relate here, but if you search, there are plenty of installation guides for various server types, even putting it on a Synology NAS, which is how I do it.


Physical media

Ripping CDs, as above, is one way for audiobooks to get into your digital library. Plex isn’t a great way to present these, though, as they just appear as Music libraries, and don’t have the features you might have come to expect from, say, Audible. Check the Organization section below for a solution.

Cloud media

For Audible, there is Libation, which can access your Audible library and download backup copies to your local drive.


Since Plex doesn’t have the greatest way of handling audiobooks, I have a self-hosted server with audiobookshelf running, and I have uploaded all of my audiobook backups there. There is a nice web interface with a player, and there are also beta versions of Android and iOS apps that connect directly to your personal server and allow audiobook playback on the go.

Related Tools

Mostly macOS-based, since despite my media ripping software being on Windows, I use Macs day to day for my personal life, and for doing the final organization work:

  • Name Mangler — When I have a wicked large number of files to rename, this tool does a great job of making complex renaming stuff easy, letting you apply multiple renaming steps to a single batch
  • Big Mean Folder Machine — It comes up less often in media management than it used to, but this app is great for sorting huge batches of files into smaller folders based on file names or metadata; you can even do a preview run to see what it would change
  • MusicBrainz Picard — awesome music file metadata editing, which is less useful if you’re using Plex as your server honestly, but still really nice for iTunes use and just generally having the satisfaction of cleaning up your dang metadata
  • The same guy who wrote the Calibre-web instructions above also has a whole slew of installation instructions for putting other useful things on Synology NASes and is definitely worth checking out

Reverse proxy a domain to a Docker container on Synology NAS DSM

This is more to remind myself of how to do it — it may not be 100% complete, or exactly fit your needs!

I’m going to assume that you have the Docker package installed, and a Docker container running on the Synology NAS, serving http content on a port that is not 80 or 443. (Setting up this container is beyond the scope of this doc.)

First, have the FQDN ready. We’ll use Make sure that your DNS provider is pointing this domain at your NAS server. If you need to know the NAS’s IP address, check DSM > Control Panel > External Access > DDNS and check the External Address under the preferred Service Provider. (I use

NOTE: There doesn’t seem to be a way to set multiple domain names to resolve to one IP address with, but I wonder if there is a way to do it with the customized query URL method? Worth looking into.

In the Docker package, click on Container in the left column, and in the list of containers, click on the container that you want to proxy. click on Details and in the lower left, under Port Settings, make note of the Local Port for the web service. In this case, the port is 5471.

In Control Panel, go to Login Portal > Advanced, and click the button for Reverse Proxy. This will show you a list of any proxies you have set up. Click Create and enter the following information:

  • Reverse Proxy Name: a descriptive name. I’m proxying the Kavita ebook server, so we’ll call this “Kavita”
  • Source
    • Protocol: HTTPS (we will set up the certificate in a moment)
    • Hostname:
    • Port: 443 (the common HTTPS port)
    • ☑️ Enable HSTS (this redirects and HTTP requests to HTTPS)
  • Destination
    • Protocol: HTTP (this is local on a (supposedly) trusted machine, so we don’t need security, pls certificates on a local machine are a pain in the ass)
    • Hostname: localhost
    • Port: 5471 (the Local Port from above)
Sergey Eisenstein looks at a strip of motion picture film

An East-coast Editor in Los Angeles’ Court

I was really trying to make that Connecticut Yankee reference work, but it just wasn’t happening.

As I write this, it’s one year to the day that I was laid off from my job as the in-house video producer/editor at The Omni Group, a small software company in Seattle, WA. The pandemic happened, my wife and I have separated, and I have realized that I am basically starting over at this point. A good friend of mine has graciously shared their house in Oregon with me for several months while I figure out what I’m doing with my life, but it’s time for me to move on. And if I need to move, probably best that I move to where the jobs are, yeah? Hence, Los Angeles.

I don’t know how regular this blog will be, but I want to chronicle my journey from Seattle corporate video producer to LA Editor. I used to be a really good online editor before I left broadcast for a corporate gig eight years ago — can I return to my former glory? Am I actually as good as I thought I once was? What the heck does an online editor do these days anyway? Can I eventually move from online to Editor? Will I have to drop back to Assistant to prove myself? How am I going to find a place to live if I don’t have a job yet?

All of this is up in the air right now, but I’ll let you know when I know. Maybe it’ll be useful to someone.

In the meantime, I’ve been watching and listening to some stuff about LA, just to get myself a little excited about the otherwise daunting prospect:

Also, hey, if you need a video editor, I’m looking for a job. Here are my credentials. More soon.

Limit Handbrake CPU usage under Windows

I’ve recently transitioned to using a PC for all of my media transcoding and hosting Plex, so I can keep my Macs unburdened and ready for real work. The only thing is — when Handbrake is compressing something, it pegs all of my CPU cores at 100%, leaving not much left for Plex Media Server to use.

I found a great solution on this page at Windows Loop. I’ll let you go there for all of the details, but I’ll post an abbreviated version here, just in case that site disappears someday:

Lower Priority

Go to Handbrake > Tools > Preferences > Advanced, and set Priority Level to Below Normal or Low. I chose Low.

You can also do this from Task Manager: In the Details tab, right-click on Handbrake.exe and Set Priority.

I also set Plex Media Server to High priority here, for good measure.

CPU Affinity

From Task Manager, when you right-click, one of the choices is Set Affinity. This will allow you to set which CPU cores the app is allowed to run on. I unchecked cores 0 and 1, so on my processor, it still has access to the six other cores.

I find this lets the system stay responsive, and hope that this will make it able to serve Plex media without any trouble, even while I’m transcoding media.

Looking for Work

For the first time in nearly seven years, I am now unemployed. Yesterday, along with several other people, I was laid off from my job at The Omni Group, and I’m now looking for new work. UPDATE: Here is a link to my resume PDF and my complete CV.

First of all, thank you to all of my friends and colleagues at Omni for being one of the best groups of people I’ve ever had the pleasure to work with. I’ll be forever grateful that taking a job at Omni is what got me out to the West Coast, and to the lovely city of Seattle. I learned a lot there, and they believed in my abilities enough to give me some truly interesting challenges, including some professional development that was rather tangential to my scope of video production, in the interest of seeing it enrich my work in unexpected ways.

I won’t go into what happened at Omni in much detail (if you’re interested, my fellow layoff-ee Brent Simmons has more to say about that on his blog). Suffice it to say that with a spouse who is an essential employee at a bakery, I never suspected that an economic cascade leading to this layoff would be the way that the COVID-19 pandemic affected our family. Omni are doing everything they can to make this necessity a little less harsh, and I’m certain they never would have laid people off if it weren’t truly necessary for the company’s survival. I wish them the best, and hope that they come out of this stronger than ever.

But still, I am out of work. Do you have work? Hire me!

People probably know me best for my video production work — please see the output of my last seven years in The Omni Group’s video archives — but I have also done a lot of related development work, and would love to push my career in that direction. Here’s a quick list of some relevant skills:

  • My biggest area of experience: video production, post, editing, and motion graphics. 24 years and counting.
  • I’ve produced two long-running podcasts, The Optical, which I also host, and The Omni Show.
  • For the last 13 or so years, I’ve been working on my programming skillset.
    • I write scripts to automate my video production workflows in Python and JavaScript/ExtendScript
    • I’ve built websites with a Django back end, and I have a working knowledge of JavaScript, HTML, CSS, and REST APIs
    • Just about a month ago, I took a Swift + iOS Development Bootcamp at Big Nerd Ranch, so I’m continuing to refresh my skills
    • I developed and published an app guide to Star Trek for the iPhone, for The Post Atomic Horror Podcast (no longer in the App Store)
    • I was a founding member of NSCoderNightDC, collaboratively learning Objective-C, Mac, and iOS development, and am a member of Xcoders in Seattle, keeping in touch with the local community of Mac and iOS developers
    • I’m currently in the process of learning Unity and C#, so that I can build a virtual map of Scarecrow Video, the largest publicly-accessible film archive in the world, where I volunteer on a regular basis. I suppose Unity is useful for other things too.
    • For my own themed tiki bar space, I’ve become very familiar with Raspberry Pi and Arduino programming, to control lights, smoke, and (in progress) animatronics for an immersive themed experience.

Ashy Slashy

I tend not to like slasher movies. It saddens me to see humans attacking humans, usually for no good reason. I see that enough in real life. I’d much rather see humans coming together to defeat a common foe, like a monster or a demon, or a ghost. Anything supernatural, really. That’s so much more… uplifting.

That said, I do like a few. Here they are.

  1. Scream
  2. Halloween
  3. Child’s Play
  4. Scream 3
  5. The Texas Chain Saw Massacre

from my Letterboxd